The Sonata was given its first public concert performance on 16 December of that year,[2] at the Musée Moderne de Peinture (Museum of Modern Painting) in Brussels.[5] Ysaÿe and Bordes-Pène were again the performers.[2][6] The Sonata was the final item in a long program which started at 3pm. When the time arrived for the Sonata, dusk had fallen and the gallery was bathed in gloom, but the museum authorities permitted no artificial light whatsoever. Initially, it seemed the Sonata would have to be abandoned, but Ysaÿe and Bordes-Pène decided to continue regardless. They had to play the last three movements from memory in virtual darkness. When the violinist Armand Parent remarked that Ysaÿe had played the first movement faster than the composer intended, Franck replied that Ysaÿe had made the right decision, saying "from now on there will be no other way to play it". Vincent d'Indy, who was present, recorded these details of the event.[7][8]
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